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Nurani Agraharam, located in urban Palakkad, is a living island of vedic traditions. A happy marriage of traditions and contemporary can be seen in this place. A glaring example is at display in the month of Aippasi (Ashwina/Thulam) when a group of people sing Jayadeva Ashtapadi, through the streets with multi storied apartments, accompanied by a small dolki and a harmonium, braving the cold at 4 am in the morning. The main deity of the village, Kula deivam, is Dharma sastha. Be it Veda parayanam, musical or dance recitals, it is done as an offering to the ruler enthroned in the sanctum sanctorum. With His grace He is served, this precisely is the attitude of every single Nuranian and others who have experienced his grace. This village has given birth to numerous great musicians in the field of sampradaya bhajan and also is the place where many legendary musicians began their journey. It is but his grace that this place gave birth to Maithree, adding another episode to its long history.
Shastha Preethi in Nurani
Sthala purana of Nurani says, once there lived a Namboothiri who was an ardent devotee of Aryankavu Sastha. His regular visits became difficult due to aging. But his devotion was immense that his Lord appeared for him in dream and asked him to continue praying from his place instead of travelling to the temple situated far away. He had no progeny and the land he owned came to Tamizh brahmins over the course of time. The vigraham of Hariharaputra and his consorts were discovered and installed by the occupants. Every year, on the day Nurani celebrates the grand Sasthapreethi festival, it remembers the namboothiripad by offering shraddham. Infact, only after propitiating him the rituals are done for the deity.
"Nooruruli Chathushatham nedicha Nurani graamamen hrudayam..." this malayalam song sung by Gana Gandharvan Shri K J Yesudas expresses about this spirit of Nurani around which revolves an average Nuranian's life. The day one of Krithika / Vrishchikam marks the beginning of festival days spanning across 1.5 months. The foundation of Nurani as well as this festival is vedam. Krishna Yajurveda Taittiriya Samhita parayanam (murai japam) for 44 days, one day per prashna, by vedic pandits sets the tone for Sasthapreethi. The deity is the king and in his court scholars chant individual portions, unlike the chorus chanting usually done. It is said by scholars, once they present their knowledge in front of Him, they can be confident of their proficiency. This is also said by some eminent musicians. An important tradition associated with the festival is the collection of "graamapanam", a token sum given to the deity for residing in his land. This seals the relationship of the residents to the deity. None enters or leaves his land without his permission. And the villagers leave no stone unturned to make Sasthapreethi a grand affair, with - rituals, melams, kolams (drawings made on floor), elephants, music, dance, bhajan, harikathas, feast...
Year 1970 - Nurani Shasthapreethi
The Kolam Tradition of Nurani
Kolams are drawings marking auspiciousness. They're intricate designs that need geometrical precision which makes one think, every woman in this land is an artist and every piece of land is her canvas. The discipline of drawing kolams in the front yard of houses during early morning hours is still alive in many villages. In Nurani, the best comes out when women place their art as an offering to God himself during Sasthapreethi festival. Beginning from Kritiga first day till the end of the festival, exquisite patterns decorate the rangamandapa where scholars chant the vedas. After all, it is His court and even the tiniest opportunity to serve Him shouldn't be missed.
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